“There is no shortage of raw emotion in its family and community scenes, all of which is captured beautifully…”
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“… while the first half of the film is all about building, what the film's second half…made clear to me is that The Brutalist may be devoted to showing us construction, but it's about the counterfactual: The Brutalist is a story of desecration, in fear and in reality.”
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“[Alex Garland is] reaching to make a statement about the importance of journalistic neutrality, but his cowardice neuters his own mission statement before even making it on screen.”
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“If there was ever a year of life-long projects coming to fruition, from Wells to Spielberg, 2022 was it; and I was but a mere spectator of other people’s dreams finally being put to celluloid.”
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“…in 2022, animation roared back to show all those who counted it out that there’s still magic in the movies…”
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“…thank you Blair for pushing me to be more inquisitive in my filmgoing and more educated in my consumption. It is because of you that - for my third year running and first time here at ForReel - I can release a comprehensive list of my favorite documentaries of the year.”
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“World War I was an entirely miserable affair. That All Quiet on the Western Front is able to capture all that misery, without itself being dragged down by it, is a testament to the power of the filmmakers and the stars, especially lead actor Felix Kammerer.”
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“There’s a lot of love to be given to Florence Pugh, who continues to prove that she’s one of the great movie stars in the world…”
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Todd’s capsule reviews for The Banshees of Inisherin, Biosphere, The Eternal Daughter, and The Son
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“What this leaves us with is a white-knuckle thriller, a playbook meticulously crafted for ecoterrorists, and a damn great movie.”
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“An eclectic montage of restored concert footage, Bowie interviews, and roughly every important piece of art of the 20th century (from Bergman to the Beatles) makes Moonage Daydream one of the most visually arresting films of the year.”
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