"What was initially a nuanced foray into queer kinship and mental health thus turns into another film about a mediocre artist and his ‘insightful’ depths—as if cinema needed any more of these."
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“The fact that queerness is mentioned in the same breath as Satan says a lot about how homophobia is generated in America…But rather than beating homophobic stereotypes, [Gregg Akari’s] characters embrace them.”
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