“Slow is an honest and respectful look into asexuality, providing the audience with the opportunity to reconsider their own definition of intimacy.”
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“What truly makes Empire of Light so captivating, however, are the visuals by cinematographer Roger Deakins (1917) and score by Trent Reznor and Atticus Ross (Gone Girl).”
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“You don't expect a road-trip movie about cannibals to change your worldview, but Bones and All is poignant enough to do just that.”
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“An eclectic montage of restored concert footage, Bowie interviews, and roughly every important piece of art of the 20th century (from Bergman to the Beatles) makes Moonage Daydream one of the most visually arresting films of the year.”
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The first episode drags a tad, but as Emma becomes enthralled in uncovering secrets, the true hijinks that ensues becomes more and more riveting.
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“It plays more sardonically in the story that is less reminiscent of Clue and more like if the plastics of Mean Girls were dropped into Lord of The Flies.”
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“The dialogue is honest and each scene lends itself to be a great insight into the characters psyche.”
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“The film captures emotion in its most raw and captivating form; ‘Benediction’ is a cleansing of the soul.”
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Tsangari, a filmmaker, longtime producer for Yorgos Lanthimos, and pioneer of the Greek Weird Wave, is a 21st century master of deadpan humor.
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“…Offseason makes a number of cinematic choices that elevates this horror experience above other low-budget films - the use of chapters, of course, being one of those choices.”
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“Behind the heavy subject matter is a charming bromance that inspires these characters to not let obstacles prevent them from reaching their goals.”
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