“Observing [Hirayama], we see how a warm, personal splendour can be culled from even the most banal of instances.”
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“[B]y stymying Ben in his narcissism, Park achieves both a less-clichéd depiction of Asian-Americans, and a fertile zone for urgent and reflexive cultural critiques.”
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“Watching Funny Pages is like overturning a rock and watching the bugs it concealed begin to writhe and squirm.”
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“The film is flat and overall unremarkable with a story that is intended to be empowering, but just comes off as forced, stereotypical, and bland.”
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“The characters are unlikable, the plot is laughable, and the only saving grace is the cinematography. Deep Water drowns in its own drama.”
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“As the lanky and terminally unenthused Lea, McInerny assumes the role of the almost-invisible everygirl in America, the one wading in the shallow, tepid waters of suburbia, often housing a sordid story the world would prefer to ignore.”
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“With great antagonists in short supply this year, Michael Aaron Milligan is exceptional at being that foe audiences can hate to love and love to hate.”
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"To The New Girl isn’t just ten women ranting about the end of their deteriorated relationships; all of their stories take a unique vantage point on how they address the infidelities.”
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“Gyllenhaal, Foxx, and company give a valiant effort for the cameras, but no one will be claiming Jarhead is any of their best film.”
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George Mackay (LCpl Schofield) and Dean Charles Chapman (LCpl Blake) immerse themselves completely in their roles. Every emotion - happiness, anger, frustration, fear and even their bickering are undoubtedly believable.
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“Joaquin Phoenix is no Heath Ledger, but his take on the Joker is phenomenal and the pain within every cackle is brilliantly delivered…”
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