“By emphasizing aesthetics […] Castel ignores the potent emotional currents that her actors work to channel and her script tries to suggest.”
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“It’s Wanda - through the reliably bewitching performance of Elizabeth Olsen - who assumes the most responsibility for keeping Multiverse of Madness engaging.”
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“Though the film narrowly avoids being a contrived blockbuster, it still is not refined enough to exhibit the kind of storytelling prowess that Eggers is capable of.”
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“Choose or Die doesn’t reach its full potential…yet, there’s enough style in the story to consistently hold my attention…”
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“The characters are unlikable, the plot is laughable, and the only saving grace is the cinematography. Deep Water drowns in its own drama.”
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“For all of its CGI set pieces and A-list co-stars…there’s next to nothing going on beneath the surface of The Adam Project.”
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“…in the end, it’s a game of style over substance for The Cellar."
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“…the question of whether Cummings can compatibly incorporate comedy in a thriller comes down to questioning whether he is the right actor to lead his thriller-oriented films.”
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“…the psychological manipulation and distress remains egregious as men are taught how their lifestyles are in need of “redirection”, especially when a critical plot point is revealed midway though the film.”
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“…And while the mystery was intriguing, it’s ultimately highly predictable, exasperating the issue of the film running too long…”
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“Jump scares keep the movie interesting, but at almost 3 hours long, it’s easy to feel that director Andres Muschietti took the scenic route on this story.”
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